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Since this film is challenging to appreciate, I chose to simply dislike it instead. EXORCISMUS (2010), produced by Julio Fernández and directed by Manuel Carballo (THE RETURNED), is just another exorcism story with a slight twist, typical of Filmax Productions. Let’s wish for a better film from John Carpenter next time; WRONG SIDE OF TOWN (2010), by director/writer/producer David DeFalco (CHAOS), falls short as an action film and is quite disappointing. The screenplay (crafted by brothers Michael & Shawn Rasmussen), is rife with clichés and contrived elements; the real mystery is why Carpenter would engage with this script. He has shared screen time with Kilmer in the movies STREETS OF BLOOD (2009) and BLOOD OUT (2011); THE WARD (2010) stands as John Carpenter’s least favorable film for many reasons. A typical revenge narrative unfolds in which Jackson portrays a ruthless gun runner who shoots Val Kilmer’s wife (who finds herself in a crossfire between two warring gangs), one led by Jackson. The film that preceded it is actually tarnished by this one; GREY SKIES (2010) is a conventional alien abduction story set in a forested house.

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• While this film has very little blood or gore, there is still an “ick” factor to some of the scenes, such as the black stain on the ceiling pouring gooey black liquid into Rachel’s mouth while the hag forces her mouth open and various quick clips of people dying when Rachel speaks.
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• Just like all of Jeff Nicols’ films, the pace is purposely slow, but rewards the viewers with surprises you didn’t expect.

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This starts out as a very remarkable fat fruit casino film (but by the time the third story comes around), you’ll be looking for the film to end quickly and quietly, which it doesn’t. The killings don’t start until the final third of the movie (which is full of black & white flashbacks) and those expecting tons of gore should be told that it is Rated PG-13 and is part of Adam Sandler’s new company “Scary Madison”; THE SEAMSTRESS (2009) is standard DTV horror about a spectre who sews the eyes and mouth of her victims shut after she was killed by a bunch of vigilantes twenty years earlier. Yes, this is another boring and overlong found footage flick that runs 107 minutes , a loooong 107 minutes, and doesn’t offer the viewer anything in the way of entertainment.

(As we see from the opening shot of the film, Annie has a condition known as complete heterochromia iridum literally “different colored iris”. Its cause is unknown, but many experts believe it might result from a lack of genetic diversity.) Right from the start we know Nichole & Annie’s mother was a bitch with a capital “C”. Highly recommended;; THE DIVIDE (2011), one of the better modern-day post-apocalyptic thrillers from director Xavier Gens , FRONTIER(S, ); A LONELY PLACE TO DIE (2011), a tense thriller about a group of mountain climbers who find a little girl buried alive and then must spend the rest of the film trying to dodge the girl’s kidnappers. It makes complete sense when you think about it after the film is well over and is one of the few modern thrillers to actually take me by surprise. To make a long story short , the film is a little overlong at 111 minutes,, Bernard and a bunch of his police buddies use Fort Goben as a meeting place where they begin their hunt for human prey (a little THE MOST DANGEROUS GAME thrown in) and bring back the heads for trophys to the Fort.

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While there is a fair amount of gory deaths , and people with huge pointy teeth,, the final twenty minutes, which takes place in a cave, contains some of the dodgiest CGI I have seen since a SyFy Original Film. Rather than saying any more — I’ll end it by saying modern-day Italian horror films are more miss than hit and this one misses by a New York mile. Once arriving at the Atlas Mountains, Paul , Robert Capelli Jr.,, who has a thing for Clarissa, leads the way as they walk tp a camping site, but he gets everyone hopelessly lost and there is no cellphone service (an overused trope in modern day horror flicks). ; SINNER , a.k.a. NIGHT OF THE SINNER , is an extremely weak modern-day Italian Gothic horror film starring Robert Englund. Don’t get me wrong, I like good martial arts fights, but this has nothing of a story to back it up and the basketball angle is just ridiculous; THE LAST RESORT (2009) is a thankfully short , 75 minutes,, yet boring, tale about a group of lovely young things that get trapped at a deserted resort in Mexico, where possession by a demented cannibal is passed on from person-to-person when the possessed one dies.

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